On Monday, A$AP Rocky entered a plea of not guilty after a judge, in November, determined there was sufficient evidence to proceed with charges related to an incident on November 6, 2021, initiated by his former friend and accuser, A$AP Relli. Rocky stands accused of shooting Relli with a semi-automatic pistol, causing injury to his hand.
During his testimony on November 8, Relli claimed to be a victim of an armed ambush following a dispute with Rocky, who allegedly refused to cover the funeral expenses of a friend. The accuser’s message, “You’re so damn fake, it’s sad,” was prominently displayed. Although two different surveillance cameras captured part of the street altercation, they do not show a “real shooting,” as highlighted by Superior Court Judge ML Villar of Los Angeles County. However, one of the videos captures two loud bangs, potentially corresponding to the alleged shooting. This particular footage is the reason why a trial is being sought.
Joe Tacopina, Rocky’s lawyer, stated that his client, described as “an individual with a very strong character,” looks forward to concluding the legal proceedings and returning to “enjoy his family.” Recently, Rocky welcomed his second child with Rihanna. The next hearing is scheduled for March 6.
Kid Cudi is gearing up to drop his ninth studio album, “Insano,” and he’s not holding back on the star power. Just days before the album’s January 12 release, the rapper took to Instagram to share the tracklist and the impressive lineup of featured artists.
The standard edition of the 21-track album boasts collaborations with industry heavyweights, including DJ Drama, ASAP Rocky, Lil Yachty, Pharrell Williams, XXXTentacion, Lil Wayne, Young Thug, and Travis Scott. Scott makes a double appearance, gracing two tracks, including the already-released single “At the Party.”
Cudi had initially hinted at over 40 tracks being released to the public between the standard and deluxe versions of “Insano.” This comes after his previous announcement suggesting he would retire from music under his stage name, only to change his stance later. Originally slated for a September 2023 release, “Insano” is now set to hit the shelves in just a few days.
– Advertisement –
Since making his major label debut with “Man on the Moon: The End of Day” in 2009, Kid Cudi has achieved significant success, with five albums landing in the top 10 on the Billboard 200. His 2022 release, “Entergalactic,” reached No. 13 on the charts and was accompanied by a visual companion in the form of a Netflix special, featuring contributions from notable figures like Timothée Chalamet, Jaden Smith, Macaulay Culkin, and Teyana Taylor.
Beyond music, Cudi’s Hollywood presence has expanded, with appearances in films such as “House Party” and “Silent Night” in 2023, along with lending his voice to “Trolls Band Together.” As anticipation builds for “Insano,” Kid Cudi continues to solidify his position as a multifaceted artist with both musical and cinematic prowess.
Prepare for a musical spectacle like never before as the legendary Purple Rain by Prince is set to grace the stage in its first-ever theatrical adaptation.
Bringing to life the magic of Albert Magnoli and William Blinn’s 1984 cinematic masterpiece, infused with the soulful music and lyrics of Prince, this groundbreaking musical will be directed by Tony nominee Lileana Blain-Cruz. Known for her recent success with Lincoln Center’s revival of The Skin of Our Teeth, Blain-Cruz is poised to create a mesmerizing theatrical experience.
Adding to the brilliance is Pulitzer finalist Branden Jacobs-Jenkins, the creative mind behind the Broadway hit Appropriate, who will craft an accompanying book to enhance the narrative. The fusion of Jacobs-Jenkins’ storytelling prowess with Prince’s timeless melodies promises an unforgettable journey through music and theater.
– Advertisement –
Stay tuned for the unveiling of more production details and the timeline in the upcoming months. The producers, in collaboration with “Broadway partners,” are working diligently to ensure this extraordinary musical extravaganza takes center stage. The anticipation builds as we await further revelations about this unique production that pays tribute to the unparalleled legacy of the Purple One.
Seven days ago, Taylor Swift became the solo artist with the most weeks at number 1 on the US album chart, breaking Elvis Presley’s record. Now, just a week later, another illustrious figure falls victim to Miss Americana.
‘Taylor Swift: The Eras Tour’ has become the highest-grossing concert film of all time, surpassing Michael Jackson’s ‘This Is It.’ Premiered in cinemas on October 13, The Eras Tour has earned $261.6 million, surpassing the king of pop’s record of $261.2 million set in 2009. The film’s release in Chinese cinemas on December 31 ensured the surpassing of the record.
‘Taylor Swift: The Eras Tour’ had already broken the record for the highest-grossing concert film in its debut weekend, accumulating $123.5 million worldwide.
– Advertisement –
Eras Tour will resume on February 7 in Japan for four nights at the Tokyo Dome.
Dive into the day with the infectious rhythm of “Watermelon Sugar” by Harry Styles! 🍉🎶
This vibrant track is the perfect antidote for a mundane morning, offering a refreshing burst of energy and feel-good vibes. Harry’s smooth vocals and the catchy melody create an irresistible combination that’s bound to leave you grooving. Whether you’re commuting, working, or just chilling, let the sweet tones of “Watermelon Sugar” transport you to a sun-soaked paradise. 🏝️🌞
Embrace the uplifting beats and let the music set the tone for a day filled with positivity. Don’t resist the urge to dance – let the rhythm of this chart-topping hit elevate your spirits. Hit play, soak in the good vibes, and make today as sweet as a watermelon! 🎉🔥
Brace yourselves, music lovers! Lil Nas X is set to make a grand entrance into 2023 with the announcement of his latest track, “J Christ.” Scheduled to drop this Friday, January 12, the song is more than just a musical masterpiece; it’s a heartfelt dedication to a figure who’s made the most remarkable comeback in history, as boldly declared by Lil Nas X in capital letters across social media.
“J Christ” marks Lil Nas X’s first single since his 2022 releases, “Late to da Party” featuring YoungBoy Never Broke Again, and “Star Walkin.” The anticipation is skyrocketing, especially with the reveal of the single art featuring the rapper himself dressed as Jesus Christ on a crucifix—a visual feast that promises a fusion of artistry and bold storytelling.
In case you missed it, 2022 was a monumental year for Lil Nas X, and his documentary, “Lil Nas X: Long Live Montero,” made waves at the Toronto Film Festival. The exciting news doesn’t end there! Set your calendars for Saturday, January 27, at 8 p.m. Eastern, as the documentary is set to air on HBO, providing an inside look at the global tour behind the artist’s debut album, “Montero.” Can’t wait? It will also be available for streaming on Max.
Breaking news for music enthusiasts! Brace yourselves as The Black Keys gear up to release their brand-new track, ‘Beautiful People (Stay High),’ on Friday, January 12. The anticipation is off the charts, especially with the exciting collaboration involving the talented Dan the Automator and the band’s longtime friend, Beck.
The trio’s creative synergy extends beyond just this single, as Beck has been actively involved in crafting The Black Keys’ upcoming album. Fans were treated to a taste of this musical fusion when Beck recently graced the stage with the band in Paris, delivering an unforgettable performance of his classic hit, ‘Loser.’
Adding to the excitement, the band has offered a sneak peek into the upcoming music video, featuring the charismatic security guard, Derrick T. Tuggle. Fans will recognize him from the iconic ‘Lonely Boy’ video, creating a nostalgic connection to one of The Black Keys’ past hits. Get ready to be captivated by the seamless blend of talents in ‘Beautiful People (Stay High),’ promising a musical experience like no other! 🎶🔥
Our new single “Beautiful People (Stay High)” written by Dan Auerbach, Patrick Carney, Beck and Dan the Automator comes out this Friday, January 12th. Available to pre-save now https://t.co/af3jVsuA6fpic.twitter.com/c86mfIkpcX
As the morning sun paints the sky, I’m cultivating a dynamic start to the day with the invigorating notes of ‘Blinding Lights’ by The Weeknd. 🌅🎶 This musical marvel has become my anthem, a symphony of pulsating beats that transforms mundane moments into a dance of life. 💫✨ Each note resonates with an electrifying energy, creating a soundtrack for the day ahead. 🕺💃 The rhythm becomes my compass, guiding me through the challenges and celebrations that lie ahead. Join me in embracing the day with the infectious joy of this melody, turning every step into a dance and every moment into a celebration of life’s vibrant rhythm. 🚀🔊 Let the music weave its magic, and let’s make today extraordinary!
Ariana Grande delighted her fans by officially confirming the release of her new single, “yes, and?” scheduled to drop this Friday, January 12. The track is poised to take the lead in Grande’s highly anticipated seventh album, a project that has been teased through creative gestures and cryptic clues.
The pop icon recently stirred up excitement by sending notes and red lipsticks from her r.e.m. collection to lucky fans, providing a sneak peek into the thematic elements of her forthcoming album. Sharp-eyed followers had already caught wind of the potential single title when Grande was spotted wearing a jumper emblazoned with the phrase “yes, and?”.
Adding to the speculation, Grande shared a subtle Instagram post featuring her mother Joan dancing to an unreleased song. Eagle-eyed fans quickly deduced that Joan was mouthing the words “yes, and?” in the video, fueling rumors surrounding the upcoming single.
– Advertisement –
Social media erupted with excitement when Joan Grande allegedly liked a tweet on Twitter that hinted at Ariana’s comeback single, “yes, and?”. The online buzz suggests that fans are in for a treat as the pop sensation gears up for a musical comeback with a fresh sound that promises to captivate audiences once again.
In a dazzling celebration of musical talent, the 38th Golden Disc Awards took center stage at the Jakarta International Stadium in Indonesia on January 6. Hosted by Sung Si-kyung and Cha Eun-woo, the prestigious ceremony unfolded to honor the outstanding achievements in South Korean music released between mid-November 2022 and early-November 2023.
SEVENTEEN emerged as one of the night’s biggest winners, clinching the grand prize for the album of the year. Meanwhile, NewJeans claimed the coveted song of the year title, solidifying their positions as the standout artists of the evening. The triumph of these two acts marked a pinnacle moment in an evening filled with stellar performances and recognition.
Adding to the glory, IVE and BTS’ Jungkook joined the ranks of winners, earning accolades in multiple categories for their exceptional albums and songs. Stray Kids, acknowledged as the Global K-pop Artist, added a global touch to the festivities.
– Advertisement –
Beyond the awards, the event showcased a vibrant array of performances, featuring dynamic showcases from rookie K-pop sensations like ZEROBASEONE and BOYNEXTDOOR. The night was a testament to the thriving creativity and talent within the South Korean music industry, setting the stage for another year of musical brilliance.
See the full list of winners for the 38th Golden Disc Awards below: Album of the Year SEVENTEEN – ‘FML’
Digital Song of the Year NewJeans – ‘Ditto’
Best Album ‘MY World’ – aespa ‘Dark Blood’ – ENHYPEN ‘I’ve Mine’ – IVE ‘Golden’ – Jungkook ‘Unforgiven’ – LE SSERAFIM ‘ISTJ’ – NCT Dream ‘FML’ – SEVENTEEN ‘5-Star’ – Stray Kids ‘The Name Chapter: Freefall’ – Tomorrow X Together ‘Youth in the Shade’ – ZEROBASEONE
Best Digital Song ‘Queencard’ – (G)I-DLE ‘Fighting’ – SEVENTEEN BSS (featuring Lee Young-ji) ‘I Am’ – IVE ‘Flower’ – Jisoo ‘Seven’ – Jungkook (featuring Latto) ‘Unforgiven’ – LE SSERAFIM (featuring Nile Rodgers) ‘Ditto’ – NewJeans ‘Let’s Say Goodbye’ Parc Jae-jung ‘Super’ – SEVENTEEN ‘Teddy Bear’ – STAYC
A year ago, Pink Floyd surprised fans by releasing 18 concert bootlegs on streaming platforms, capturing the era before “The Dark Side of the Moon.” These weren’t part of the band’s official 50th-anniversary releases but were sanctioned bootlegs of shows held between January and December 1972. The group opted for this strategy to prevent the expiration of rights after fifty years, a tactic previously employed by the English rock legends and others, such as Bob Dylan.
Now, Pink Floyd has repeated the feat for 1973. While the 1972 bootlegs chronicled the on-stage evolution of “Dark Side” before its official release, the 18 live recordings quietly dropped on platforms in December 2023 narrate the 1973 tour post-album launch.
Spanning from the March 6, 1973 concert in St. Louis to the November 4 shows at London’s Rainbow, including the May 18 and 19 performances at Earls Court, these recordings primarily cover American dates. However, there are also shows in Munich and Vienna, in addition to the mentioned UK venues.
– Advertisement –
Each concert lasts over two hours, and the sound quality mirrors typical bootleg standards – mostly poor, sometimes (as in the case of Jersey City) nearly unlistenable. The repertoire includes not only renditions of the 1973 concept but also earlier classics like “Echoes” and lesser-known tracks like “When You’re In.” This series of official bootlegs might be less captivating than its predecessor, both in terms of repertoire and sound quality.
Listen while you can, perhaps starting with New York or Vienna due to the consistently poor but relatively better sound quality of those bootlegs. They might disappear from streaming platforms soon. European law dictates that recordings over half a century old must be published, either in streaming format or on physical media, even in limited editions, to retain copyright. However, it doesn’t guarantee permanent circulation of these records. In fact, the 1972 concert bootlegs, previously covered here, are no longer available.
Here are the published titles, along with excerpts from “Money” from the St. Louis date, “Careful With That Axe, Eugene” from the New York concert, and “Echoes” from Vienna.
Live at Kiel Opera House, St Louis, USA, 6 March 1973 Live at Chicago International Amphitheatre, USA, 7 March 1973 Live at University of Cincinnati, USA, 8 March 1973 Live at Kent State University, USA, 10 March 1973 Live at Maple Leaf Gardens, Toronto, Canada, 11 March 1973 Live at Boston Music Hall, YSA, 14 March 1973 Live at Radio City Music Hall, NYC, USA, 17 March 1973 Live at Earls Court, London, UK, 18 May 1973 Live at Earls Court, London, UK, 19 May 1973 Live at Saratoga Performing Arts Center, Saratoga Springs, USA, 17 June 1973 Live at Roosevelt Stadium, Jersey City, USA, 18 June 1973 Live at Merriweather Post Pavilion, Columbia, USA, 20 June 1973 Live at Sportatorium, Hollywood, USA, 28 June 1973 Live at Tampa Stadium, USA, 29 June 1973 Live at Munich Olympiahalle, Germany, 12 October 1973 Live at Vienna Stadthalle, Austria, 13 October 1973 Live at The Rainbow Theatre, Early Show, London, UK, 4 November 1974 Live at The Rainbow Theatre, Late Show, London, UK, 4 November 1974
In a dazzling night of stars and musical brilliance, Billie Eilish and her brother Finneas secured victory at the 2024 Golden Globe Awards, winning Best Original Song for “What Was I Made For?” from the movie “Barbie.” The dynamic duo faced stiff competition, contending with renowned artists like Bruce Springsteen, Dua Lipa, Ryan Gosling, Lenny Kravitz, and Jack Black in the prestigious category.
Accepting the Golden Globe alongside her brother, whom she holds great affection for, pop star Billie Eilish revealed that she wrote the song about a year ago when she was dealing with depression. “I didn’t expect it at that moment [when they suggested she write the piece],” she said. “It was almost a year ago when they showed us the movie, and I was feeling very unhappy and depressed. Writing this song saved me in a way. A year later, here we are, holding this [award], and I feel incredibly lucky and grateful.” Pausing to take in the room, she humorously added, “You guys scare the living hell out of me, everyone in this room.”
Notably, in 2020, the 20-year-old Eilish became the youngest artist to write the title track for a James Bond movie, with the song “No Time to Die” winning the Oscar for Best Original Song, for which she had already won a Golden Globe.
– Advertisement –
Earlier in the evening, the celebration of musical excellence continued as Ludwig Göransson claimed the Best Original Score award for his outstanding work on “Oppenheimer.” The competition included Mica Levi, Joe Hisaishi, Daniel Pemberton, Jerskin Fendrix, and the late Robbie Robertson, showcasing the diversity and excellence in film composition.
Reflecting on past winners, the 2023 Golden Globe for Best Original Song went to M.M. Keeravani and Chandrabose for “Naatu Naatu” from “RRR,” while Justin Hurwitz earned the Best Original Score award for his remarkable contributions to “Babylon.” The 2024 Golden Globe Awards stand as a testament to the continual evolution and brilliance of musical achievements in the entertainment industry.
In a whirlwind of speculation and excitement, Ariana Grande has sent fans into a frenzy with subtle hints suggesting a possible comeback single titled ‘Yes, And?’ The pop sensation ignited rumors after being captured in a custom sweatshirt adorned with the enigmatic phrase on January 4, leaving devotees eagerly anticipating the unveiling of her musical masterpiece.
While some enthusiasts ponder whether ‘Yes, And?’ alludes to Grande’s highly anticipated seventh album, many are convinced that the cryptic term is a teaser for an upcoming track. The speculation gained momentum when the singer shared a mysterious Instagram post featuring her mother, Joan, joyfully dancing to an unreleased song. Keen-eared fans couldn’t help but notice Joan seemingly mouthing the words “yes, and?” in the background, sparking a wildfire of curiosity.
The intrigue deepened when eagle-eyed followers discovered that Joan Grande had reportedly liked a telling tweet on X/Twitter, which read, “ariana grande teasing her comeback single ‘yes, and?’” The social media nod from Joan served as another piece of the puzzle, adding fuel to the growing anticipation surrounding Ariana’s musical return.
– Advertisement –
As fans dissect every social media post and scrutinize each subtle clue, the question remains: What does ‘Yes, And?’ truly signify in Ariana Grande’s musical universe? With the artist keeping her cards close to her chest, the mystery surrounding this potential comeback single only intensifies, leaving fans eagerly awaiting the next breadcrumb that will unravel the enigma.
Prepare for a musical storm as Pearl Jam’s Mike McCready spills the beans on the band’s upcoming album, promising an unexpected heaviness that will leave fans on the edge of their seats. In a recent interview with Classic Rock, the acclaimed guitarist provided insights into the in-progress record, the highly anticipated successor to 2020’s ‘Gigaton.’
“I’m hoping it’s gonna come out [in 2024],” McCready shared, hinting at the imminent arrival of a sonic powerhouse. Detailing the collaborative effort, he revealed the band’s partnership with Andrew Watt, a younger producer known for his pop collaborations with artists like Miley Cyrus and Post Malone but with a rock heart. According to McCready, Watt’s passion for Pearl Jam inspired the band to deliver a performance that surpassed expectations.
“He really kicked our asses, got us focused and playing, song after song,” McCready exclaimed. The guitarist went on to highlight the unexpected nature of the album’s sound, stating, “It’s a lot heavier than you’d expect. There’s the melody and energy of the first couple of records.” Drawing parallels to the band’s early work, McCready credited Watt for pushing them to channel their signature hard-hitting, melodic, and thoughtful style.
– Advertisement –
A tantalizing promise for fans comes in the form of McCready’s enhanced lead guitar presence. “For better or worse, you’re gonna hear a lot more lead guitar from me, stuff I haven’t done in a long time,” he confessed. Reflecting on the creative process, McCready likened the experience to the lightning-in-a-bottle magic he captured with Chris Cornell and Temple of the Dog on ‘Reach Down’ years ago.
With the prospect of intensified guitar solos and a rejuvenated musical spirit, Pearl Jam’s forthcoming album, guided by the masterful hands of Mike McCready and the collaborative genius of Andrew Watt, is poised to be a sonic journey that defies expectations and solidifies the band’s legacy in the realm of rock.
In a fiery stance against the rampant piracy plaguing the music industry, SZA has unleashed a passionate tirade against those leaking her highly anticipated release, ‘Lana.’ The Grammy-nominated singer took to her personal X/Twitter account on January 6, aiming a direct hit at the perpetrators whom she labeled as “f***ing thieves.”
“Leaking my music is stealing,” SZA declared emphatically, laying bare the personal toll of such actions. “This is my job. This is my life and my intellectual property. You are a f***ing thief, and I promise to put maximum energy into holding everyone accountable to the full extent of the law. I am tired.”
LEAKING MY MUSIC IS STEALING . THIS IS MY JOB . THIS IS MY LIFE AND MY INTELLECTUAL PROPERTY. YOU ARE A FUCKING THIEF AND I PROMISE TO PUT MAXIMUM ENERGY INTO HOLDING EVERYONE ACCOUNTABLE TO THE FULL EXTENT OF THE LAW . I AM TIRED .
As fans eagerly await the arrival of ‘Lana,’ a deluxe version of her latest album ‘SOS’ released in December 2022, SZA’s frustration with unauthorized leaks adds a layer of complexity to the artist’s creative journey. The theft of intellectual property strikes at the core of her livelihood, and she is determined to stand against it with unwavering resolve.
SZA’s vow to pursue legal action underscores the gravity of the issue, emphasizing the toll it takes on artists who invest their time, energy, and creativity into crafting musical masterpieces. The battle cry against online music leakers serves not only as a personal plea from SZA but also as a broader call for the protection of artistic integrity and the rights of creators in an increasingly digital landscape.
As the countdown to ‘Lana’ continues, SZA’s bold stance sends a clear message: the fight against music piracy is not just a matter of principle but a commitment to safeguarding the artistic endeavors that define the essence of the music industry.
In a dazzling display of musical brilliance, American producer, DJ, and artist KSHMR has unleashed his latest single, “Tears On The Dancefloor,” featuring the captivating vocals of Hannah Boleyn. Under his imprint Dharma Worldwide, KSHMR not only marks a triumphant return to the dance music scene but also treats fans to a euphoric symphony that transcends expectations.
Co-written by Hannah Boleyn and Sarah de Warren in collaboration with KSHMR, “Tears On the Dancefloor” emerges as a charged dancefloor anthem, blending layered driving synths with Boleyn’s mesmerizing vocals that resonate with heartfelt emotion. Following the success of KSHMR’s #1 Indian hip-hop album, KARAM, the single showcases the artist’s versatile artistry, seamlessly navigating the realms of dance music.
Hannah Boleyn shares insights into the song’s creative genesis, stating, “Sarah and I were on a writing trip in LA in March. We’d never worked with KSHMR, but after the first session, we realized we all had an incredible chemistry as writers. ‘Tears On the Dancefloor’ is about that feeling when you make it to the other side of heartbreak. Knowing that even though letting your walls down meant you got hurt, you also gave yourself a chance at love. That you were brave enough to feel everything.”
– Advertisement –
KSHMR, reflecting on the essence of the track, expresses, “This song has an empowering, vintage disco vibe that I love. I imagined somebody facing hardship and wanting to free themselves from that — by dancing and surrendering to the music. That was my inspiration for the production and overall tone.”
As fans immerse themselves in the beats of “Tears On The Dancefloor,” KSHMR’s latest creation promises a sonic journey that transcends boundaries. The artist’s seamless fusion of emotions and melodies invites listeners to surrender to the music, marking a momentous return to the dancefloor and reaffirming KSHMR’s position as a maestro of musical excellence.
Lyrics:
I’m gonna dance Till I feel my feet no more I’m gonna love Like I never loved before And when you’re gone I’m gonna leave all of my tears On the dancefloor Don’t wait for me, don’t wait for me
I’m gonna dance Till I feel my feet no more I’m gonna love Like I never loved before And when you’re gone I’m gonna leave all of my tears On the dancefloor Don’t wait for me, don’t wait for me, oh
You left me sleepless Wrapped up in heartache Found strength in weakness Found light in a dark place
– Advertisement –
Hear your name, see your face It don’t hurt me the same ‘Cause I’m over the worst Yeah I’m over the pain Hear the beat of my heart I believe I can start To forget you, yeah
I’m gonna dance Till I feel my feet no more I’m gonna love Like I never loved before And when you’re gone I’m gonna leave all of my tears On the dancefloor Don’t wait for me, don’t wait for me
I’m gonna dance (I’m gonna dance) Till I feel my feet no moree I’m gonna love Like I never loved before And when you’re gone (And when you’re gone) I’m gonna leave all of my tears On the dancefloor Don’t wait for me, don’t wait for me, oh
I’m gonna leave all my tears on the dance floor Leave all my tears on the dance floor Don’t wait for me, no
