Πέμπτη, 28 Μαρτίου, 2024

Revealing ‘Girl71’: The Latest Offering From The Jesus And Mary Chain

The Jesus And Mary Chain present the music video for their single “Girl71“!

The Jesus And Mary Chain shared “Girl 71”, the latest glimpse into their upcoming album, “Glasgow Eyes“.

Like their two most recent singles released by Jim and William Reid, “Girl 71” is built around a steady drum beat, Jim Reid’s distinctive, recognizable vocals, and bustling instrumentation. But unlike its predecessors “Chemical Animal” or “jamcod”, “Girl 71” is remarkably optimistic, even if the lyrics aren’t always so bright.

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“Glasgow Eyes” is set to be officially released on March 22nd. While the band was clear that it’s not a full jazz album, they spoke strongly about adopting elements of the genre during the creative process, particularly the freedom and lack of traditional discipline that is unique to jazz. As the name suggests, the LP was recorded at Mogwai’s Castle of Doom studio in Glasgow.

The band has also planned an extensive 2024 tour in support of “Glasgow Eyes”, kicking off in Manchester in March and including a performance at the Cruel World Festival in Pasadena, California in May.

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Donna Summer’s Estate Takes Action Against Kanye West And Ty Dolla Sign For Unapproved Use Of ‘I Feel Love’

In a legal clash that underscores the significance of protecting musical legacies, Bruce Sudano, executor of Donna Summer’s estate, has initiated a copyright infringement lawsuit against Kanye West and Ty Dolla $ign. The lawsuit, filed in a California federal court, accuses the musicians of unlawfully interpolating Summer’s iconic track “I Feel Love” in their song “Good (Don’t Die).”

Sudano’s complaint outlines a sequence of events where West and Ty Dolla $ign, through an entity named Alien Music, sought permission to sample “I Feel Love.” Despite explicit denials from Summer’s estate and her label, Universal Music Enterprises, the duo proceeded with the unauthorized use of the song’s melody, employing altered lyrics and a soundalike singer.

This legal battle is not merely about financial compensation; it’s a stand to safeguard Donna Summer’s musical legacy. Sudano’s attorneys are seeking significant damages, including maximum statutory penalties, to deter future infringements and uphold the integrity of Summer’s work.

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The lawsuit sheds light on broader issues within the music industry, such as the importance of respecting artistic ownership and the consequences of unauthorized sampling. As the case unfolds, it serves as a reminder of the enduring impact of artists like Donna Summer and the ongoing responsibility to honor their contributions to music.

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Αντύπας – Αίμα Μου | Official Lyric Video (HD)

🔔 Κάνε ΕΓΓΡΑΦΗ εδώ: http://bit.ly/HeavenMusicYouTube
📌 Βρες το «Αίμα Μου» εδώ: https://lnk.to/Aima-Mou

Στίχοι:
Δεν φτάνει μόνο μια καρδιά,
‘Ήθελα να ‘χα κι άλλη,
Και με τις δυο να σ’ αγαπώ,
Και λίγο θα ‘ταν πάλι.

Πιο εύκολο μου φαίνεται,
Τη θάλασσα να αδειάσω,
Να την πετάξω στην στεριά,
Παρά να σε ξεχάσω.

Αίμα μου,
Μπήκες μέσα στο αίμα μου,
Κυκλοφορείς στις φλέβες μου,
Από το πρώτο βλέμμα μου.

Αίμα μου,
Ζωή μου δίνεις αίμα μου,
Ο έρωτάς σου σκότωσε,
Ψέματα, λάθη κι έργα μου.

Πάρε μαχαίρι χτύπα με,
Και την καρδιά μου σκίσε,
Μα πρόσεξε μην πληγωθείς,
Γιατί εκεί μέσα είσαι.

Κι όταν οι φίλοι ρώτησαν,
Τι ειν’ η ζωή για μένα,
Το δάχτυλό μου σήκωσα,
Και έδειξα εσένα.

Χωρίς νερό, χωρίς ψωμί,
Και δίχως οξυγόνο,
Μπορώ να ζω και μου αρκεί,
Να σε κοιτάζω μόνο.

Χθες ρώτησα τη θάλασσα,
Τι είναι η αγάπη,
Και μου ‘γραψε στην αμμουδιά,
‘Έρωτας, πόνος, δάκρυ.

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▶ https://geni.us/HeavenMusic

Follow ANTYPAS:
▶ Spotify: https://open.spotify.com/artist/3jXADO5lW4g3bQlSsOjELo
▶ Instagram: https://www.instagram.com/antypasofficial/

Audio Credits:
▶ Μουσική: Αντύπας
▶ Στίχοι: Παραδοσιακές Κρητικές Μαντινάδες (Κουπλέ), Σπύρος Γιατράς (Ρεφρέν), Γιώργος Καπνιστός (Μαύρος)

▪ Ενορχήστρωση – Προγραμματισμός: Νίκος Γεωργόπουλος
▪ Κλαρίνο: Θανάσης Βασιλόπουλος
▪ Πιάνο – Πλήκτρα: Χρήστος Ρουπακιάς
▪ Κιθάρες Κλασικές Σολιστικές: Νίκος Γεωργόπουλος
▪ Κιθάρες Ακουστικές, Ηλεκτρικές: Γιώργος Χατζόπουλος
▪ Ηχογράφηση – Μίξη – Master: Studio 111 Τάκης Αργυρίου

Antypas – Aima Mou | Official Lyric Video (HD)

#Antypas #AimaMou #HeavenMusic #GreekMusic #GreekHits #MusicMadeInHeaven #NewMusic

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Expansion Of TikTok Song Bans: Universal Music Publishing Follows Suit

In the ongoing battle between TikTok and Universal Music Group (UMG), tensions have escalated to include the major label’s publishing arm, Universal Music Publishing Group (UMPG). As negotiations for a new licensing agreement faltered, UMG’s decision to sever ties with TikTok last month was followed by UMPG’s announcement to remove its “Anglo-American” repertoire from the platform.

The conflict arises from UMG’s quest for “appropriate compensation for our artists and songwriters,” protection against AI’s detrimental effects on musicians, and ensuring online safety for TikTok users. However, TikTok contends that UMG’s actions prioritize greed over artist welfare, contrasting their stance with the “artist-first” agreements made with other labels and publishers.

This latest development expands the scope of affected artists, potentially impacting big names like Taylor Swift, Adele, SZA, and The Weeknd. With uncertainties looming over the extent of the song removals and the actual stake UMPG holds in TikTok’s music catalog, the standoff underscores the complex interplay between copyright protection, fair compensation, and digital platform dynamics.

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Daft Punk Immortalized In Wax At Madame Tussauds New York

In a stunning display of artistry and celebration, Madame Tussauds New York has unveiled hyper-realistic wax figures of the iconic electronic duo, Daft Punk. Standing frozen in time, Thomas Bangalter and Guy-Manuel de Homem-Christo are impeccably recreated in their signature Random Access Memories-era attire, complete with pyramid pendant necklaces and custom-tailored replicas of their legendary black-sequined Le Smoking tuxedo suits designed by Hedi Slimane.

The figures, which debuted at the venue’s “Glow Gala” area alongside other notable celebrities like Ariana Grande, Rihanna, and Beyoncé, mark a significant milestone in Daft Punk’s illustrious career. As part of the duo’s 10-year anniversary celebration for their Grammy-winning album, the wax replicas serve as a timeless tribute to their groundbreaking contributions to electronic music.

The unveiling event, held in collaboration with French DJ collective Maison Disco at Brooklyn’s Avant Gardner, treated fans to an immersive audiovisual experience featuring classic ’90s French House music and a retrospective of Daft Punk’s iconic discography.

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Ben Shapiro, Marketing Executive at Madame Tussauds New York, emphasized the cultural significance of this collaboration, stating, “As Daft Punk and Madame Tussauds both share French origins, this collaboration is a testament to the innovation and artistic brilliance of those that came before us and the ability of music and art to transcend global boundaries.”

The presence of Daft Punk’s wax figures adds to the rich history of Madame Tussauds, which dates back to 1835 London and continues to captivate audiences with lifelike representations of cultural icons. Whether you’re a devoted fan or a curious visitor, this exhibit promises to immerse you in the timeless allure of Daft Punk’s enigmatic world.

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RiTchie Announces Debut Solo Album, Triple Digits Triple Digits [112] And New Song

Transitioning from Injury Reserve to By Storm, RiTchie embarks on a new chapter with his upcoming solo project, Triple Digits [112], set to release this spring. The Arizona rapper, formerly known as Ritchie with a T, has decided to venture into uncharted territory, breaking free from the confines of group expectations and personal barriers.

In a recent Instagram post, RiTchie candidly shared his journey of self-discovery, acknowledging the pressure to meet the standards set by his previous collaborations. However, with Triple Digits [112], he aims to shatter these constraints and deliver a diverse blend of experimental sounds and infectious beats, showcasing his true essence.

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Building on the momentum of his debut single, “RiTchie Valens,” RiTchie continues to tease fans with the release of “Dizzy,” featuring Aminé. This latest offering exemplifies RiTchie’s evolution, as he seamlessly navigates between introspective lyricism and crowd-pleasing melodies.

Accompanied by a captivating music video shot from a unique perspective, “Dizzy” offers viewers a glimpse into RiTchie’s creative vision and artistic versatility. With each track, RiTchie invites listeners to join him on a journey of self-expression and sonic exploration, setting the stage for what promises to be a groundbreaking debut album.

As anticipation mounts for Triple Digits [112], RiTchie’s solo venture represents not only a musical evolution but also a testament to the power of individuality and authenticity in the ever-changing landscape of hip-hop.

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UB40 Releases “Gimme Some Kinda Sign”: A Soulful Reggae Twist

UB40 and Gilly G have released their collaboration on the song “Gimme Some Kinda Sign“!

The new song is a cover of the classic soul track “Gimme Little Sign” from 1967 by American singer Brenton Wood, in which the reggae band has put a new spin on it.

UB40 has released the new single “Gimme Some Kinda Sign”, the first from their upcoming 45th-anniversary album. It will be included in the forthcoming 14-track album titled “UB45”, which will also feature a range of new singles and re-recordings of some of their hits, such as “Red Red Wine” and “Kingston Town”.

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The song was chosen by singer Matt Doyle, who proposed it to the band’s co-founder Robin Campbell, unaware that it was on his wishlist of songs to cover from their 1983 album “Labor Of Love”.

Campbell said, “I was delighted when Matt suggested Gimme as a song he’d like to cover, as it’s been on my list to do for 40 years, and I still have the 7” 45 vinyl.”

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Όποιος Θέλει Βρίσκει Χρόνο ⏱️ #YannaVasileiou #shorts #HeavenMusic #music #trends

Κάνε ΕΓΓΡΑΦΗ εδώ: http://bit.ly/HeavenMusicYouTube

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▶ Instagram: http://bit.ly/HeavenMusicInstagram
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▶ Website: http://bit.ly/HeavenMusicWebsite

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“313”: Residente’s Poignant Musical Tribute

The Puerto Rican Residente collaborates with Silvia Pérez Cruz and Penélope Cruz for the brand-new single “313”!

When art transcends mere entertainment to touch the soul, it leaves an indelible mark on its audience. This is precisely the ambition behind Residente’s latest music video for “313,” a poignant exploration of life, death, and the eternal bonds that exist beyond our physical existence. Released on February 20th, this masterpiece not only showcases the multifaceted talent of the Puerto Rican artist but also serves as a poignant tribute to his dear friend and violinist, Valentina.

In an industry often criticized for its superficiality, Residente stands out for his commitment to depth and authenticity. “313” is no exception. The song, and its accompanying video, delve into the deep themes of the cyclical nature of life and the mysterious connections that bind us beyond death. Residente reveals that the number 313 began appearing frequently in his life after Valentina’s death, serving as a painful reminder of their connection. This bizarre coincidence inspired the creation of a musical tribute that is as much a celebration of life as it is an elegy for a departed soul.

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The production of the video is a testament to Residente’s vision, bringing together a roster of talents to breathe life into his idea. Penélope Cruz, with her poignant vocal performance, sets the tone, gracefully guiding us through the circle of life with grace and intensity. The inclusion of Valentina’s sister, who contributes with haunting violin melodies, adds a layer of personal significance and emotional depth. Meanwhile, the mesmerizing vocals of Silvia Pérez Cruz envelop the listener, creating an atmosphere that is both ethereal and deeply rooted in human emotion. Shot in the picturesque landscapes of Segovia, Spain, the stunning visuals of the video, directed by Residente himself, underscore the themes of transition and continuity that define our existence.

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Kanye West Against Adidas: “You’re Selling Fake Yeezys And Not Paying Me: You’re Abusing Me”

A new episode is added to the long and troubled history between Kanye West and Adidas. After their lucrative collaboration ended in 2022 due to the rapper’s anti-Semitic remarks, this time it’s Ye accusing the brand of selling fake Yeezy 350s.

Kanye’s attack came with a video posted on his social media where the artist wanted to clarify: “Let me explain what’s happening with Adidas. Not only have they put on sale a fake model with colors that haven’t been approved, but they’re also suing me for $250 million without even paying me for these shoes they’re selling with my name on them.” And further: “They’re using clauses from the contract and 50 years of experience in this business to rape an artist, one of your favorite artists, in front of everyone and in broad daylight.”

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The video comes after a post in which Ye showcased the new Yeezy 350s with the caption: “People who love Ye would never buy these fake Yeezys. I’ve never made shoes with these colors, I’m not getting paid, and Adidas is suing me. All unauthorized 350 models are so mundane.”

Just a few days ago, Kanye had posted a photo with Adidas CEO Bjørn Gulden (in which the rapper was wearing Nike) with the caption: “Make Adidas Great Again.”

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Tilly Kingston Releases Her New Single “Youth Is Wasted” #video

Tilly Kingston releases her single Youth Is Wasted. Youth Is Wasted follows 2023 debut single Best Break Up Ever, which received support from BBC Introducing, has so far racked up 1.4million YouTube views, and hundreds of spot plays across UK radio stations.

With her hard edged, punk-rock & metal fused pop, Tilly wants to connect with anyone who’s ever felt like a misfit. She explains ‘Youth Is Wasted is a tongue in cheek ‘Piss Off’ to all the people who look down on me and say I am wasting my life and having too much fun. Well if this is wasting my life than fuck yeah, I am, and loving every minute of it!!

Watch the official video for Youth Is Wasted:

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A refreshing, unorthodox counter to the typical pop artist, Tilly Kingston was born for the stage – a good thing, too, seeing as she has spent her whole life sleeping in a bed just a few feet away from one.

Having grown up living above local Feathers music venue in the unassuming city of Lichfield, 15 miles north of the rock’n’roll epicentre of Birmingham, it’s little surprise that the charismatic 18-year-old cannot remember a time when music was not the dominant fixture in her life. With a ‘60s- and ’70s-loving dad, and an older brother obsessed with the punk and emo of the 2000s, her musical education was both thorough and varied, making her a home-schooled student of classic songwriters such as David Bowie and The Beatles as well as of modern-day iconic frontmen like Slipknot’s Corey Taylor and Ghost’s Tobias Forge during field trips to gigs and the legendary Download festival. “People ask me what growing up around so much music was like, and I don’t know how to answer it,” she laughs of a life soundtracked by the downstairs hum of amps and applause of a crowd. “I’ve never known any different.”

Perhaps the only surprise, then, is that it took so long for Kingston to decide that her lifelong passion could also be her future calling, too, having begun singing lessons at six before conquering her high school’s ‘Battle Of The Bands’ before she could even call herself a teenager. A self-described “artistic, creative person” with a keen eye for makeup design and a love of history, learning and exploring the world around her, the epiphany coincided crucially with a difficult time in her young life. “I struggled for a long time with my identity and who I was,” she says today. “I knew I wasn’t like other kids at my school. I’m a left-of-centre kind of person, and I stuck out like a sore thumb. Lots of them would look at me and think, ‘She’s weird…’ And that led to me being bullied for a while.”

And so music would become not just a welcome fixture, but an important crutch. Thankfully, in the likes of Paramore, YUNGBLUD’s ‘The Underrated Youth’ and Machine Gun Kelly’s ‘Tickets To My Downfall’ albums, Tilly Kingston found not only a sound and a scene that she could for the first time call her own, but people and songs with which she could connect in a deeper way than ever. “I discovered myself in a way I never had before,” Kingston says.

It was around this time that multi-platinum producer Mike Krompass would happen upon Tilly singing onstage one night at the Feathers, and her detractors’ loss would begin to become the world’s gain. Now, with an infectious, effervescent pop-punk bounce, her single ‘Youth Is Wasted’ kicks open the doors of Krompass’ new Base Culture Music Group label (distributed by Sony Orchard), while introducing the next future superstar of alternative pop-rock.

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“Staring At The Wall”: Norah Jones’ Musical Journey

Watch Norah Jones‘ music video for her new single “Staring at the Wall“!

Norah Jones has shared her new song “Staring at the Wall” along with an accompanying music video directed by Jones and Kyle Paas, featuring footage from the studio as well as handwritten lyrics by Norah. It’s the second song revealed from her ninth solo studio album, titled “Visions,” which is set to release on March 8th. A collaboration with producer and multi-instrumentalist Leon Michels, the album was introduced last month with the lead single “Running.”

“This is one of my favorites,” says Jones about “Staring at the Wall,” which was co-written by Jones and Michels and features Norah on vocals, guitar, and piano with Leon on bass, drums, and tambourine. “It was a bit of a left turn from anything else on the album. It’s the first time I played guitar with Leon, we were just trying to find something different. I got on guitar and he got on drums and it just took off. It’s really fun to play music sometimes, and I feel like there were a lot of those moments on this album. It had a really nice guitar sound for me, so I felt good.

“The reason I named the album ‘Visions’ is because a lot of the ideas came during the night or right before sleep, and ‘Running’ was one of those where you’re half asleep and somewhat awake. We did most of the songs the same way with me on piano or guitar and Leon on drums and we just jammed on different things. I like the rawness between me and Leon, the way it sounds kind of garage but also kind of playful, because it’s coming from there, but not overly perfected.” – Norah Jones

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Steve Miller Band – The Joker | Tune Of The Day

Just call me the Joker, baby! Groove along with the iconic sounds of the Steve Miller Band‘s timeless hit, “The Joker.”

From its catchy guitar riffs to its laid-back vibes, this song is a quintessential anthem of good times and carefree spirit. Let the music whisk you away to a world of joy and nostalgia. Play it loud, sing along, and embrace the magic of “The Joker”!

#SteveMillerBand #TheJoker #ClassicRock

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Ηλίας Παλιουδάκης – Κόρη Ενός Θεού – 2024 Version («Σασμός» OST) – Official Lyric Video

Subscribe: www.youtube.com/@PanikRecordsTube
Buy/Stream here:
Spotify: https://spoti.fi/49Rryix
iTunes/Apple Music: https://apple.co/49sH6t5
Deezer: https://bit.ly/3wrad1n

Credits
Μουσική – Στίχοι: Νίκος Τερζής
Piano-Bass-Pads-Percussions: Νίκος Τερζής
Κιθάρες: Νίκος Σταυρόπουλος
Λαούτο: Νίκος Αντωνάκης
Κρητική λύρα: Ηλίας Παλιουδάκης
Διεύθυνση παραγωγής: Νίκος Τερζής
Ηχογράφηση: Νίκος Σταυρόπουλος (3ηχο studio)
Μιξη / Mastering: Νίκος Τερζής / Νίκος Σταυρόπουλος (3ηχο studio)

Στίχοι/Lyrics:
Θα ‘ρθει ο αέρας στ’ ακρογιάλι
Και θα σε χαϊδέψει πάλι φως του φεγγαριού
Κι η βροχή που θα σ’ αγγίξει
Και θα σε γλυκοφιλήσει φως του δειλινού
Θάλασσα τα δυο σου μάτια
Και τα χείλη σου παλάτια
Κάστρο μου μικρό
Απ’ την Κρήτη ως το Βαρδάρη
Η αγκαλιά σου θα με πάρει
Και θα τραγουδώ
Αν η αγάπη που μου χάρισες είναι κόρη ενός θεού
Θα μετρήσω όλα τα κύματα κι όλα τ’ άστρα τ’ ουρανού
Θα ‘ρθει ο αέρας στην αυλή σου
Για να κλέψει το φιλί σου όνειρο μου εσύ
Είσαι η αναπνοή μου
Ήλιος δάκρυ και ψυχή μου κι όλη μου η ζωή
Αν η αγάπη που μου χάρισες είναι κόρη ενός θεού
Θα μετρήσω όλα τα κύματα κι όλα τ’ άστρα τ’ ουρανού

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PJ Harvey’s ‘Seem An I’ Visual Journey And Long-Awaited North American Tour Debut

Get ready to embark on a mesmerizing journey with the iconic PJ Harvey! Announcing her highly anticipated North American tour since 2017, PJ Harvey is set to captivate audiences with her latest masterpiece, “I Inside the Old Year Dying.” Starting in September, catch her spellbinding performances across Europe and the United Kingdom before she hits the stage in North America.

But that’s not all! PJ Harvey has treated fans to the breathtaking music video for “Seem an I,” filmed at the picturesque Kennel Farm in England. Directed by the talented Colm Bairéad and starring the illustrious Ruth Wilson, known for her roles in acclaimed productions like “Luther” and “His Dark Materials,” this visual masterpiece is a testament to artistic brilliance.

PJ Harvey shares her excitement about collaborating with Ruth Wilson, expressing admiration for her exceptional talent. Wilson reciprocates the sentiment, describing the experience as a privilege to delve into PJ’s magical world alongside director Colm Bairéad.

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As the buzz continues to build around “I Inside the Old Year Dying,” PJ Harvey’s legacy in the music industry shines brighter than ever. With a Grammy nomination for Best Alternative Music Album, her unparalleled creativity and unique vision continue to mesmerize audiences worldwide.

Don’t miss out on this unforgettable journey! Watch the captivating video for “Seem an I” and immerse yourself in the spellbinding world of PJ Harvey.

TOUR DATES:
09/11 – Washington, DC @ The Anthem
09/13 – Philadelphia, PA @ The Met
09/15 – New York, NY @ Terminal 5
09/16 – New York, NY @ Terminal 5
09/18 – Boston, MA @ MGM Music Hall Fenway
09/21 – Laval, QC @ Place Bell
09/25 – Toronto, ON @ History
09/26 – Toronto, ON @ History
09/28 – Detroit, MI @ Masonic Cathedral Theatre
09/30 – Chicago, IL @ The Salt Shed
10/02 – Minneapolis, MN @ Palace Theatre
10/06 – Seattle, WA @ The Paramount Theatre
10/07 – Portland, OR @ Theater of the Clouds
10/10 – San Francisco, CA @ Masonic
10/11 – San Francisco, CA @ Masonic
10/14 – Los Angeles, CA @ Greek Theatre

#PJHarvey #MusicMagic #SeemAnI #TourAlert

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Billy Joel And Sting’s Unforgettable Duet Tour Featuring ‘Every Little Thing She Does Is Magic’ And ‘Big Man On Mulberry Street'”

On Saturday night, the dynamic duo of Billy Joel and Sting launched their collaborative tour, One Night Only, at Raymond James Stadium in Tampa Bay, Florida. To the delight of the audience, both artists made appearances during each other’s sets, treating fans to two unforgettable duets.

Joel warmly introduced Sting, reminiscing, “I first encountered this guy when he brought his band to the United States. I was utterly captivated. It was the late ’70s, and I thought he was phenomenal then, just as I do today. He remains one of my all-time favorite musicians.”

Sting took the stage, kicking off with The Police hit “Every Little Thing She Does Is Magic,” performed alongside Joel.

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Later on, Sting reciprocated the gesture by joining Joel on stage for a captivating rendition of “Big Man on Mulberry Street.”

The excitement doesn’t end there, with four additional concerts lined up across the United States for Billy Joel and Sting as co-headliners: San Diego, St. Louis, San Antonio, and Las Vegas. Joel’s calendar is brimming with more musical adventures, including stadium performances with Stevie Nicks and a co-headlining spectacle with Rod Stewart on September 13 in Cleveland. Not to be missed is the grand finale of his residency series at Madison Square Garden in New York on July 25.

Adding to the buzz, Joel made waves at the beginning of the month with the release of “Turn the Lights Back On,” his first new pop song in 17 years, debuting it with a memorable performance at the Grammys.

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